Sarah Estep in her office conducting an EVP session
As I mentioned in my last post, I’ve been very excited and have looked forward to conducting and hopefully chronicling an EVP session daily for the next two weeks. In the last few years I have occasionally conducted these recording sessions in my home, but I’ve not been very consistent. Consistency is very important. Sarah Estep, who was a pioneer in the study of EVP (electronic voice phenomena), conducted EVP sessions almost daily and documented them. Her book Voices of Eternity inspired me to take this two-week journey… and this journey started today.
There are best practices in doing routine EVP sessions, and I’ve done my best to follow them. You can find some of these best practices along with lots of information about EVP at ATransC.org (Association TransCommunication). I’ve not had a lot of success with EVP sessions from home, but experts will tell you that the more you conduct them and the more consistent you are, the better your chances will be of documenting clear spirit communication.
At the risk of having a Geraldo Rivera/Al Capone moment, below are the details of my EVP Sesssion for 3/13/12 that began at approximately 2:30pm.
For this session I used a Tascam DR-07 digital audio recorder, along with a Tascam TM-ST1 stereo microphone (after today I plan on additionally using a Sony PX-820 digital audio recorder at the same time) in conjunction with a pair of headsets to hopefully allow for 2-way real-time communication. For portions of this session, using my computer, I played white noise, pink noise, and brown noise as additional background noise. For another portion of the session I used Stefan Bion’s EVP Maker (which I use to create background noise using my voice… I recorded myself reading a couple of paragraphs out of a book and then the program jumbles up that recording and plays it back so that nothing is recognizable) from 80ms to 120ms with Z-Cross and with the speed control set to 122%. For the last portion of the session I played the recording “Heartsounds” by David Lanz.
Before starting the session I meditated briefly and asked for assistance from spirit guides and explained my intentions.
After starting the recording I always allow time for communication before I speak. I then explained that I would be recording daily for two weeks with the intention of learning about EVP/Spirit Communication and the Spirit World/Afterlife/The Other Side. I would share my findings with others. No background sounds added yet.
I asked “Is there anyone from the spirit world present with me today?” And then a minute later… “Today I’d like to request the assistance of any spirit guides, Merlin, and loved ones who have passed, and I’d like to make a special request that someone please help bring in Sarah Estep for today’s EVP session.” A few seconds later… “Is Sarah Estep available?” Moments later I again asked if there was anyone present. I also asked if anyone was able to reach Sarah Estep. I mentioned that there were other EVP pioneers and experts that I’d love to communicate with as well if she wasn’t available. I mentioned I’d been reading Sarah’s book Voices of Eternity and that it inspired me to conduct this series of EVP sessions.
At 5:42 into the recording I mentioned that I would begin using the different background noises to possibly help with communication. I urged any entities present to communicate and let me know what works, what doesn’t, and what I could do to make it more successful. I then started the white noise audio. For each different background noise I gradually tried different volume levels.
At 8:35 into the recording I started the pink noise audio. A minute later I asked “Are there any messages you’d like to pass on today to others here on Earth?” At 10:15 into the recording… “In Sarah Estep’s book she mentioned that she learned that having a mirror near the recording device was helpful in reaching communication. Can you tell me if that’s true? Will a mirror help?” A few moments later.. “Where do I need a mirror if this is the case?”
At 11:40 into the recording I started the brown noise audio and urged any entities present to please continue trying to communicate. A moment later… “Can you tell me what volume works best?” A minute later… “Can you tell me if there is a time of day that is more convenient to record EVP or spirit communication?” I explained that I knew there was supposedly no concept of time on the other side, but I was interested in finding out if there was an earthly time that was better for recording EVP.
At 14:33 I started the EVP Maker and again asked if there was anyone present with me. At 16:00 into the recording I asked if the pitch or the speed of the file being played made a difference.
At 17:15 into the recording I started the David Lanz recording and again invited anyone present to please communicate. Two minutes later I asked “What can you tell me about this music? Do you enjoy this music?”
At 20 minutes into the recording I stopped the music and announced that I would be ending the session and asked if there were any last messages that needed to be passed on. A few moments later I decided to ask if it was possible for anyone present to make a knock, noise, or a thud in the room to let me know they were present. I also suggested moving an object in the room if that was possible.
A minute later I asked anyone present to let me know of anything I could do to make these sessions more successful.
Lastly, at 22:20 I asked anyone present to invite others from the light in the coming days and weeks to help. I thanked them for their presence, their energy, and their help before signing off.
After listening to this session twice I did not hear any obvious EVPs. I’m hoping that the focused and consistent recording in the next few weeks will change that. In the event I do hear EVPs I will be using the below classification system used by Sarah Estep, ATransC, and believed to be developed by Konstantin Raudive. This summary is from ATransC.org.
Class “A” voices can be heard and identified by anyone with normal hearing and knowledge of the language spoken; no special training of the ear is needed to detect them.
There are several hundred microphone-voices amongst my recordings that fall into this group. It is easy to make tape copies of “A” voices, and they can be repeated as often as desired. Thus, I have analysed roughly 25,000 voices according to speech content, language and rhythm. By this method of repetition, the acoustic reality of the voices can be established beyond doubt, and hallucinations of the ear are excluded.
Class “B” voices speak more rapidly and more softly, but are still quite plainly audible to a trained and attentive ear. The ability to differentiate increases with practice, but this is a slow and wearisome process. For this reason it is difficult to use non-regular participants for experimental purposes with class “B” voices.
Class “C” consists of the most interesting voices; voices that give us a great deal of information and much paranormal data. Unfortunately, these can be heard only in fragments, even by a trained ear, but with improved technical aids, it may eventually become possible to hear and demonstrate these voices, which lie beyond our range of hearing, without trouble. This grading and my comments are but a rough guide in the present stage of our approach to the psycho-acoustic aspect of the investigation.